You're
standing on the edge of a cliff, hundreds of feet above a snaking
river. Your palms are sweaty. Your heart is beating fast.
Someone
tells you to jump, but everything in your body screams, "Don't do it!"
Your brain is having a hard time overriding what your eyes are seeing in
the goggles you wear on your face.
"Jump!" you're told again.
It's actually a harmless request, since this is virtual reality. Instead of a cliff's edge you're standing on a carpeted floor in a lounge at the Sundance Film Festival and you've been watching "The Climb," a brief film made by 8i, a startup that creates virtual reality, or VR, content.
"Your
logical side is saying, 'I'm in a headset. I'm in this room.' But your
emotional side is saying, 'I'm on a cliff. I could die here. I don't
want to jump,'" said 8i co-founder and CEO Linc Gasking.
Virtual
reality, the emerging technology that is poised to transform video
gaming, is also coming to the movies. Here at Sundance 2016, more VR
experiences than ever are being showcased as part of the film's festival which celebrates new or alternative forms of creative expression.
Ramzi
Haidamus, president of Nokia Technologies, says the development of VR
for filmmakers has been a long time in the works. He recently
spearheaded OZO, the first virtual-reality camera designed specifically
for Hollywood-grade filmmakers. Haidamus has been experimenting with
virtual reality for years and says the technology is making huge
strides.
"I couldn't jump," Haidamus
said after trying out "The Climb." He credits audiences' hunger to be
closely connected to stories and VR's appealing price point as being a
"perfect storm" for the technology this year.

Actor Paul Scheer watches Funny Or Die's premiere of the first-ever virtual-reality comedy short, "Interrogation," at Sundance.
After several years of breathless hype,
the Oculus Rift, a $600 virtual-reality headset designed for consumers,
arrives in March, joining the Samsung Gear VR and other products
already on the market. These headsets allow wearers to see lifelike,
immersive 3-D imagery in all directions, making them feel like they are
part of the scene they are viewing.
Gasking believes that making VR affordable is key to helping the technology catch on with filmmakers.
"Four
years ago the price of a pair of headsets were $40,000. And four years
later you can use a Google cardboard or the like to watch these sorts of
experiences. That's an incredible change," he said.
"With a much cheaper price tag, filmmakers are finally getting the tools that they need to experiment with VR."
Meanwhile, movie ticket sales in North America have been flattening amid fierce competition from streaming services such as Netflix, making
Hollywood eager to develop technologies to excite moviegoers.
"The
industry needs a new way (for moviegoers) to consume more immersive
content without having to go to a theater," Haidamus said, adding that
film studios are partnering with companies like Nokia to make VR
content.
Through such partnerships,
film studios can share an entirely new experiences with their
traditional audiences by taking them as close to the story as possible.
All the user has to do is buy a pair of VR goggles and download content,
which can be viewed in the comfort of their own home.
8i's
executive creative director Rainer Gombos won an Emmy award for his
visual effects work on HBO's "Games of Thrones" and said that from a
filmmaker's perspective, VR expands the possibilities of storytelling.
"You
can immerse the viewer into worlds -- artificial or reality-like worlds
-- that you couldn't do before," Gombos said. VR is also groundbreaking
for the viewer, he said. "You can move around in the scene and look
around at things from different angles. You can tell stories. You can
entertain. You can have people experience larger-than-life events."
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